Re: Jane Doe
»Talking about sex isn’t revolutionary anymore – or is it?« Sex, body and language are political. To the people in Patty Kim Hamilton’s play, who are left nameless except Jane or John, communication and interpersonal exchange absolutely signify change and revolution. In her multivocal play, the playwright explores talking about sex and the narration of experience, she questions common and internal imagery. One scene follows another, rhythmically soft and hard, some drastic, others delicate and persevering. Violence and its casualty, longing and pain of the ones left behind find a voice, seduction and betrayal, vulnerability and a great sense of awkwardness. The inability or impossibility to properly talk about sex and to put the experienced into words: consciousness and sensory experiences that are incompatible with a eloquent and fluent renditions or accounts. Re: Jane Doe’s characters fantasize and accuse, and go from exchanging confessions and denials to gossiping....
Patty Kim Hamilton
Patty Kim Hamiltons Stück Peeling Oranges erhielt beim Heidelberger Stückemarkt 2021 den SWR2-Hörspielpreis, den Jane Chambers Award for Feminist Playwriting, den 2. Preis des Nancy Dean Lesbian Playwriting Award und den 2. Else Lasker-Schüler-Preis. Ihr Stück Sex Play wurde am...

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House of Hearts
Otherland
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Sex Play
Sex, Körper und Sprache sind politisch. Den Menschen in Patty Kim Hamiltons Stück, namenlos außer Jane und John – Platzhalternamen im...